On Sunday September 21 2014, Special K and I attended the first international People’s Climate March. It was an event held around the world with a special focus on New York City two days before the U.N. Climate Summit was set to begin. It was organized by 350.org an environmental group founded by writer and activist Bill McKibben. 350 represents the parts per million of carbon dioxide in the atmosphere that scientists say we need to stay at to keep further climate change at bay. Earlier last year there was a point where the parts per million of carbon dioxide in our atmosphere was recorded at 400ppm.
Wikipedia records an estimate of 311,000 people attended the People’s Climate March. There were numerous staging areas for different groups that started at Central Park West at 59th street and went as far as 86th street. Special K and I ended up joining the designated area for the generational groups at around 66th street. Among the participants we marched with were families, the elderly, and students. It was intended to be a peaceful march and it was. I interviewed several people: One of the peacekeeper volunteers, some students, a carpenter, an urban planner and a TV film editor. Join Special K and I as we take you through the march on that humid cloudy day. Enjoy the show.
Listen up (36m45s) :
Other things discussed:
Hegemony – “…is the political, economic, or military predominance or control of one state over others.”
Tesla Battery – “…shouldn’t the government legislate its use?” – Liam
Deliverance / Dueling Banjos
Imagine by John Lennon
This week I caught up with a Brazilian drumming troupe practicing in the park for their summer season. They call themselves MaracaTall. This is a play on the word maractu, a type of drumming, song and performance genre popular in Brazil. The twist on this Toronto troupe is that they perform on stilts. Their next gig is in Toronto at Harbourfront Centre near the Redpath stage 1:30pm on Canada Day Tuesday July 1 2014.
Listen here for my conversation with several members of the troupe:
Or Download HotFRM 221 (60Mb 31m:37s)
Here are some links to find out more:
http://www.maracatall.com/ – more pictures here
https://www.youtube.com/watch?v=qJseNr10_ck- practice preview video
I was very saddened to hear about Mark Peacock’s passing. He was known in the podcasting world as Special Delivery Mark. He was someone I met early in podcasting and up until a few years ago, enjoyed lively and interesting dialogues with him across the internet. He was a troubled but very sweet soul. I know he struggled with his diabetes and drinking. I received more than one drunken, oftentimes incomprehensible, chat, text, or email in wee hours of the morning from him. I missed him over the last few years – but he wasn’t interacting much on social media anymore and I stopped receiving emails from him. I hoped he was ok, but didn’t really have another way of getting in touch with him. I know other acquaintances of his had the same challenges. He passed away on April 30, 2014 at the age of 48. Here are excerpts from his obituary courtesy of Matt Burlingame :
“Mark Frederick Peacock, 48, was a 36-year resident of Sonora California. He was born Jan. 18, 1966 in Walnut Creek, Calif. He died April 30, 2014 in Unit 7 of Sonora Regional Medical Center after fighting a long battle with complications of diabetes and liver failure. He worked for Sonora Community Hospital while in high school; IT Recycling, Sonora Florist and again at Sonora Regional Medical Center. He is survived by his mother, sister, brother, half-brother and many others. Mark volunteered at Interfaith Community Social Services, Community Christmas Eve Day Dinner, Tuolumne County Humane Society, Old Mill Run, Red Cross and numerous community events in the Sacramento area. He enjoyed fishing, camping, geocaching, being with family and friends, taking in lost or abandoned cats, photography and astronomy, kite flying and attending Sci-Fi events. When Mark was in Sonora High School (graduate of 1984), he saved his money to purchase a computer. He then taught many teachers how to use computers in the classroom. Mark is best known for his politeness and kindness to others, his love of adventure, stretching his mind and the ability to laugh at his own flaws. He has been an integral part of his family, supportive and reliable friend, a coach in geocaching and computers, and a haven for abandoned cats.”
I also know he loved electronic music and did some composing of his own. In honour of his memory, here is some of his original music he sent to me with his own commentary on it.
Rest in Peace Mark.
Download HotFRM 220 (19Mb 9m2s)
On January 26, Special K and I were scheduled to participate in an event at the Royal Ontario Museum called Carbon 14 – A Day of Dialogue – The Changing Arctic Landscape. The Arctic government and policy makers are very concerned about the changes they anticpate in the arctic latitudes and have seen over the last several generations. As a prelude to this, I visited the exhibit Climate is Culture at the museum where I viewed installations inspired by climate change. My podcast today is a soundscape of my visit to that exhibit.
0-1:09 – Intro
5:01 – 23:54 – Soundscene at the Climate is Culture exhibit
23:54 – 29:30 – Heidi Cullen’s Senate Testimony on Climate Science
29:30 – 31:32 – Outro
Download at: Hotfrm 219 (59 mb 31:32)
Listen here directly:
I’ve been away now for quite a few months, and I am sorry for that. Life has been busy. But today I am back with some more soundscene audio, this time from our travels in Scandinavia last spring.
As Molly Oldfield says in her new book The Secret Museum, “As a work of art, it is a masterpiece, but as a warship it was a disaster. You can see the entire distance it ever sailed from the roof of the museum.”
She is talking about the 17th century Swedish warship, the Vasa. In 1628 it sank just 1300 meters into it’s maiden voyage. The king at the time, Gustavus Adolphus, effectively overrode his designers, engineers and expert shipbuilders to have them construct a battleship that was dangerously unseaworthy. The cannons put in the gun ports may have been too heavy than was usual for that type of ship. The ship was ultimately weighted with insufficient ballast. Ballast is used to ensure that a ship can stay steady, counteract the wind and momentum of the ship and otherwise keep it upright. Sometimes ballast can be the weight of the crew and passengers. Sometimes it is objects. Sometimes it is a characteristic of the way a ship is constructed. In the case of the Vasa, it was built top heavy with no counteracting design. Or perhaps the boat was simply too big to support the king’s intent against the Polish that his men were sailing to fight. With all this, it is a magnificent construction. Here’s Vasa by the numbers: It is estimated to be about 69 metres long. That’s 226 feet or 75 yards. The width of the ship is 11.7 metres or 38 feet. The height is roughly 52.5 metres or 57 yards. It originally had ten sails of which six, in various states of disrepair, survive. It held 64 bronze cannon. Well over 26,000 artifacts of all kinds were also found. It is adorned with over 500 sculptures, designs and enormously detailed reliefs that must have been spectacular in their original colors. Those colors have been washed away by centuries in the clay bottom and currents of the harbour waters.
The technology that made it possible for the Vasa to be raised did not exist until the 20th century. It was confirmed to be 32 meters down in August 1956. In the words published on the Vasa Museum website, we know that:
“The [Swedish] navy’s heavy divers were able to cut six tunnels through the clay under the ship with special water jets. Steel cables were drawn through the tunnels and taken to two lifting pontoons on the surface, which would pull the ship free of the harbour bottom’s grip. In August 1959, it was time for the first lift. There was great uncertainty – would the old wooden ship hold together? Yes! Vasa held. She was lifted in 18 stages to shallower water, where she could be patched and reinforced in preparation for the final lift, to the surface…At 9:03 AM on the 24th of April, 1961, Vasa returned to the surface.”
In order to preserve the wood, the Vasa was sprayed with polyethylene glycol, a chemical compound that replaces the water in the wood. This was to prevent shrinkage and cracking. This process took an astounding 17 years. The ship had to be kept purposely wet in order that it not dry out and crack. More than 90% of the ship was recovered intact.
Archaeologists think that 150 people were on board, mostly mariners, and no soldiers, (300 were to board the ship eventually). When the ship sank, about 30 died. The skeletons of about 16 persons were found in and around the ship. The skeleton exhibit seemed to be the busiest with dozens of children gathered around the glass cases containing them. The museum curators have given names to the skeletons, tried to reconstruct what they may have looked like, and created stories about what their lives may have been like aboard the boat and off.
Now that you have the background, sit back and enjoy this soundscene of our visit to this amazing one of a kind museum:
Download instead HotFRM 218 (36mb 18m47s)
“Why can’t we just do everything we can while we’re here for one another?” – Pearl Goodman, 2013
On today’s show I interview Pearl Goodman who has written Peril: From Jack Boots to Jack Benny. In 300 pages, Pearl gives us portraits and vignettes of what it was like growing up in the nineteen-sixties and seventies. This was a time when many holocaust survivors had ended up in cities like Toronto putting geographical if not psychic distance between them and the horrors of World War II. Everything about her childhood is coated, clouded and influenced by her parents’ experience during the war and after.
Her parents were survivors of the Nazi’s attempt to exterminate the European Jews. The remainder of their lives was infused with this terrible knowledge, the death, the suffering of entire family members, friends, neighbors and many others left behind. As we roll ever closer to the 70th anniversary of the end of World War II, the numbers of survivors who can still remember and tell us anything of those times are dwindling to a precious few. All the stories we can find, first-hand, must be sought out, recorded and shared. And those who can relay much of those untold stories and insights, as the survivors of World War II pass on, do so as translators, interpreters and paraphrasers of the original tellings. Ms. Goodman and other children of survivors must speak for them because they no longer can.
It is said often that we are doomed to repeat history if we do not learn from it. Indeed, genocide has been attempted and succeeded many times to greater and lesser degrees before that war and after. And Jews throughout history have been no stranger to attempts to being eradicated and removed from everywhere we have ever called home. We see the story of the holocaust repeated over and over again in small and big ways in the modern era in such places as: Cambodia, Rwanda, Sri Lanka, The Congo, and Pakistan.
In that sense, Ms. Goodman is not just telling her parents story and her own, but the story of all survivors and immigrants trying to overcome the persecution and oppression of their birth country. Join me in my conversation with the author, on a pleasant spring evening in a local restaurant on the very street that Pearl grew up on.
Or download media: Hotfrm 217 (33mb 36mins)