Distracting myself from the end of the world, I do some gardening. Famous anti-semitic poets mentioned: T.S. Eliot. Apparently his anti-semitism is a matter of debate so I can no longer say for sure that it is so. Other subjects broached: Autism, rescue dogs, removing suckers from the pear tree, how long the 1918 pandemic lasted for, a rolling stone gathers no moss, dandelion pulling, up by the roots. Keep some to attract bees, not leaving cars sitting for long periods of time, gas prices, flying ants, Japanese knotweed, the dangers of raccoon poo to your health, smoke trees, hot tamales.
I may know some things about gardening, but all the same, fact check me.
Listen to the episode below (HotFRM 238 137mb 59m51s)
This week I caught up with a Brazilian drumming troupe practicing in the park for their summer season. They call themselves MaracaTall. This is a play on the word maractu, a type of drumming, song and performance genre popular in Brazil. The twist on this Toronto troupe is that they perform on stilts. Their next gig is in Toronto at Harbourfront Centre near the Redpath stage 1:30pm on Canada Day Tuesday July 1 2014.
Listen here for my conversation with several members of the troupe:
Alexandra Gelis is a Colombian-Venezuelan visual artist based in Toronto, Canada. She holds an MFA degree from York University, Toronto, Canada. Her work incorporates photography, video, electronics and digital processes…Gelis’ work addresses the use of image relation to topics of displacement, landscape, and politics. One of the prevalent concerns in her work is to unveil the relationship between landscape, history, people, geopolitics and the diverse techniques for achieving subjugation of bodies and population… As an educator/facilitator in video and photography she has led workshops with youth in disadvantaged communities in Canada, Colombia, and Panama. Her work has been shown internationally in several venues and galleries in Canada, Venezuela, Colombia, Panama, Argentina and the United States. She has developed curatorial projects, video screenings, and programs for festivals in Latin America and Canada.
On August 15, this summer, Alexandra unveiled her installation called Raspao/Snow Cones. This installation in her own words is
…a moving sound sculpture vehicle that makes Snow Cones to sell them. It is also equipped with electronic components that capture, reproduce, mix and record sounds and video in real time. Customers and bystanders create sound compositions by mixing sounds in real time from the surrounding environment and the sound made by the internal components of the cart. The Snow Cone vehicle is a food cart, a hybrid vehicle, a mixture of a Raspao cart used in Colombia to sell snow cones and the food carts that Portuguese and Greek Canadians use for selling roasted nuts and other sweet goods in Toronto. Snow Cones is also a sound piece that aims to open a space for social interaction, a place of meeting and conversation.
Of her relationship with the experience of snow cone machines she writes:
When it was very hot in Cartagena, Colombia, as a child I will buy an ice cone and I will eat it lying down on the beautiful decorated and cold tile floor in my house. The installation is a product of a private performance in the back of my house in Toronto, dealing with childhood memories. I paint on the snow using fuchsia ink (reminiscences of Ice Cone or “Raspaos”) tiles with arabesques as in the floor in my house in Cartagena. At the end I laid down naked on the snow trying to recuperate these impossible memories. Hot – Cold, Fuchsia – Childhood – Moments.
Raspao/Snow Cone Machine by Alexandra Gelis
In my third episode of four shows featuring artists at the Toronto Electroacoustic Symposium, 2012 join me now during the opening of this installation and interview with the artist:
Join me for lunch with Michelle and Jeff during Podcamp Boston. They talk about why they love Burning Man so much. By the time you hear this, they may be on their way in their Airstream to enjoy this August desert festival.